Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jean-Honore Fragonard 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
78914		A Boy as Pierrot	between 1776(1776) and 1780(1780) Oil on canvas 60 x 50 cm (23.6 x 19.7 in) cjr
79439		A Boy as Pierrot	between 1776(1776) and 1780(1780) Oil on canvas Width: 50 cm (19.7 in). Height: 60 cm (23.6 in). cjr
58845		A Young Girl Reading	A Young Girl Reading, c. 1776, National Gallery of Art, Washington, DC.
29530		Adoration of the Shepherds	c. 1775 Oil on canvas, 73 x 93 cm
90239		Badende	1765-1722 Medium Oil on canvas Dimensions Deutsch: 65 x 81 cm cjr
53835		Blindbock	mk234 probably c. 1765 216x198cm
66525		Blindekuhspiel	1773-1776 Oil on canvas 216 ?? 198 cm
70937		Blindekuhspiel	Medium Oil on canvas Dimensions Deutsch: 216 x 198 cm
70640		Cephale et Procris	Medium Oil on canvas Dimensions Expression error: Missing operand for *78 ?? 178 cm
69102		den vackra tjansteflickan	olja pa duk. 46x60.5 se
84748		Der Garten der Villa d'Este	Date ca. 1762(1762) Medium Oil on canvas Dimensions 38 x 46 cm cjr
68940		Die Musikstunde	1769(1769) oil on canvas 110 X 120 cm (43.31 X 47.24 in)
10314		Education is Everything	1780oil on canvas Museum of Art, Sao Paolo
66521		Education is Everything	from 1775(1775) until 1780 Oil on canvas 55.5 ?? 66 cm (21.85 ?? 25.98 in)
70597		Education is Everything	Medium Oil on canvas Dimensions Expression error: Missing operand for *55.5 ?? 66 cm
73545		Huile sur toile	Huile sur toile - 64 X 79,5 cm, National Gallery of Art cjr
10309		Inspiration	1769 canvas, Louvre
78112		Inspiration	1769(1769) Oil on canvas 80 x 64 cm (31.5 x 25.2 in) cjr
97866		Jupiter and Callisto	1778(1778) Medium oil on canvas Dimensions 46 x 55.5 cm cyf
88132		Koresus und Kallirhoe	1765(1765) Medium Oil on canvas cjr
87060		La visite a la nourrice	1775(1775) Medium Oil on canvas Dimensions 64 x 79.5 cm (25.2 x 31.3 in) cyf
31805		Love Letters	mk76 Painted in 1771-73 Oil on canvas
31808		Love the avenger	mk76
31807		Love Triumphant	mk76 Painted in 1771-73 and 1790-91
70847		Madchen im Bett	Medium Oil on canvas Dimensions 89 x 70 cm
38742		Park Landscape	mk141 c.1760s Red chalk on paper 33.9x46.8cm
10308		Portrait of a Singer	Holding a Sheet of Music, 1769, oil on canvas
75722		Portrait of Denis Diderot	ca. 1769(1769) Oil on canvas 81.5 ?? 65 cm (32.1 ?? 25.6 in) cjr
76083		Portrait of Elisabeth-Sophie-Constance de Lowendhal, Countess of Turpin de Crisse	ween 1775(1775) and 1785(1785) Oil on canvas 64 ?? 54 cm (25.2 ?? 21.3 in) cjr
79879		Portrait of Marie-Madeleine Guimard (1743-1816), French dancer	ca. 1770(1770) Oil on canvas 81.5 x 65 cm (32.1 x 25.6 in) cjr
71370		Portrat des Abbe de Saint-Non in einem Phantasiekostum	c. 1775 Oil on canvas
81655		Psyche showing her Sisters her Gifts from Cupid	Date 1753(1753) Medium Oil on canvas Dimensions 168.3 x 192.4 cm (66.3 x 75.7 in) cjr
31810		Pursuing a dove	mk76
32587		Recreation by our Gallery	mk79
32598		Recreation by our Gallery	mk79 1770
31806		Reverie	mk76 Painted in 1771-73 Oil on canvas
93938		Selbstportrat, Oval	c. 1760-1770 Medium oil on canvas cjr
71452		Souvenir	Date 1775 - 78 Medium Oil on panel Dimensions 25 x 19 cm
10304		Stolen Kiss Detail	oil on canvas, Metropolitan Museum of Art, New York
92765		The Adoration of the Shepherds.	c. 1775(1775) Medium oil on canvas Dimensions 73 X 93 cm (28.7 X 36.6 in) cjr
10305		The Bathers	1765, Louvre
30161		The Bathers	mk64 before 1756 Oil on canvas 64x80cm Paris,Musee du Louvre
66373		The Blind man bluff game	1751 Oil on canvas 117 ?? 91 cm (46.06 ?? 35.83 in)
56141		the bolt	mk247 c.1777,oil on canvas,28.5x36.5 in,73x93 cm,louvre,paris,france
58842		The Captured Kiss, the Hermitage, St. Petersburg	The Captured Kiss, the Hermitage, St. Petersburg
81585		The Happy Accidents of the Swing	Date 1767-1768 Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cjr
85604		The Happy Accidents of the Swing	1767-1768 Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cyf
31809		The Jester	mk76
85105		The lock	71 x 92 cm (28 x 36.2 in) ca. 1776-79 Oil on canvas cjr
10310		The Love Letter	1770oil on canvas Metropolitan Museum of Art, New York
10312		The Lover Crowned	1771Frick Collection at New York
31804		The Lover Crowned	mk76 Painted in 1771-73 Oil on canvas
60421		The Lover Crowned	1771Frick Collection at New York
10311		The Meeting	771-73, Frick Collection NY
31803		The Meeting	mk76 Painted in 1771-73 Oil on canvas
26682		The Musical Contest	mk53 c.1751 oil on canvas 62x74cm
69653		The Pond	oil on canvas painting by Jean-Honore Fragonard
31802		The Progress of love	mk76 Painted in 1771-73 Oil on canvas
66374		The Progress of Love: The Pursuit	1773 Oil on canvas 318 x 216 cm
10307		The See-Saw	canvas
71984		The See-Saw	1750(1750) Oil on canvas 120 X 94.5 cm (47.24 X 37.2 in) (114 X 90 cm (44.88 X 35.43 in))
31811		The Sentinel	mk76
10315		The Stolen Kiss	late 1780s, oil on canvas, The Hermitage at St. Petersburg
30646		The Stolen Kiss	mk68 Oil on canvas Saint Petersburg, State Hermitage Museum, 1787-1789 France
68828		The Stolen Kiss	oil on canvas 45 X 55 cm (17.72 X 21.65 in) Late 1780s
71787		The Stolen Kiss	3. Viertel 18. Jh. Oil on canvas 45 x 55 cm (17.72 x 21.65 in)
10306		The Swing	1766 Wallace collection in London
26683		The Swing	mk53 1767 oil on canvas 81x64.2cm
58844		The Swing	The Swing (French: L'escarpolette), 1767, Wallace Collection, London
23291		The Swing (nn03)	c 1768 Oil on canvas 81 x 64.5 cm 31 7/8 x 25 3/8 in Wallace Collection London
10313		Young Girl Reading	1776, oil on canvas, National Gallery of Art at Washington

Jean-Honore Fragonard

French Rococo Era Painter, 1732-1806 was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Regime, Fragonard produced more than 550 paintings , of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. He was born at Grasse, Alpes-Maritimes, the son of François Fragonard, a glover, and Françoise Petit. He was articled to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Boucher, who, recognizing the youth's rare gifts but disinclined to waste his time with one so inexperienced, sent him to Chardin's atelier. Fragonard studied for six months under the great luminist, then returned more fully equipped to Boucher, whose style he soon acquired so completely that the master entrusted him with the execution of replicas of his paintings. Though not yet a pupil of the Academy, Fragonard gained the Prix de Rome in 1752 with a painting of "Jeroboam Sacrificing to the Golden Calf", but before proceeding to Rome he continued to study for three years under Charles-Andre van Loo. In the year preceding his departure he painted the "Christ washing the Feet of the Apostles" now at Grasse cathedral. On September 17, 1756, he took up his abode at the French Academy in Rome, then presided over by Charles-Joseph Natoire. While at Rome, Fragonard contracted a friendship with a fellow painter, Hubert Robert. In 1760, they toured Italy together, executing numerous sketches of local scenery. It was in these romantic gardens, with their fountains, grottos, temples and terraces, that Fragonard conceived the dreams which he was subsequently to render in his art. He also learned to admire the masters of the Dutch and Flemish schools (Rubens, Hals, Rembrandt, Ruisdael), imitating their loose and vigorous brushstrokes. Added to this influence was the deep impression made upon his mind by the florid sumptuousness of Giovanni Battista Tiepolo, whose works he had an opportunity to study in Venice before he returned to Paris in 1761. In 1765 his "Coresus et Callirhoe" secured his admission to the Academy. It was made the subject of a pompous (though not wholly serious) eulogy by Diderot, and was bought by the king, who had it reproduced at the Gobelins factory. Hitherto Fragonard had hesitated between religious, classic and other subjects; but now the demand of the wealthy art patrons of Louis XV's pleasure-loving and licentious court turned him definitely towards those scenes of love and voluptuousness with which his name will ever be associated, and which are only made acceptable by the tender beauty of his color and the virtuosity of his facile brushwork;

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